Lil Jon and the Eastside Boys Kings of Krunk ~ Lil Jon and the Eastside Boyz Kings of Krunk
Lil Jon songs includes Get Lo, Kings of Crunk and more. Note: the Lil Jon links on this page open up a wide assortment of Lil Jon merchandise and are not just limited to the featured Lil Jon products. All the information on Lil Jon all in one place. Get Krunk with a custom pimp cup from Iced out gear.
Lil Jon and the East Side Boyz
Lil Jon and the East Side Boyz poster measures approx 35 by 23 inches
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Lil Jon - The self-proclaimed King of Crunk, Atlanta rap icon Lil Jon has built up a formidable empire since he first hit the scene in 1997. Best known for his hyperactive, chant-along style, he's scored a long string of crossover hits, including "Bia Bia," "Get Low," and "Damn!" And he's not just a rapper -- Jon's production skills are in serious demand from all kinds of artists, among them Usher, who enlisted him to lace the beat for his single "Yeah." In addition to cranking out platinum hits, Lil Jon has also helped to develop new talent, including Lil Scrappy and Trillville.
- Youngbloodz Featuring Lil Jon - Damn mp3
- Lil Jon & the East Side Boyz - Put Yo Hood Up mp3
- Lil Jon & the East Side Boyz - Kings Of Crunk mp3
Lil Jon and the Eastside Boys Music
Trillville A three-man crew out of Atlanta, Trillville comprises Dirty Mouth, Lil LA and Don P. Soldiers on the front lines of the Crunk revolution, they scored a big hit in 2003 with the riot-inciting shout rap "Neva Eva," produced by fellow ATL representative Lil Jon. Their debut album Welcome To Trillville was released the following year, packaged as a two-for-one special with Lil Scrappy sharing half of the running time.
If anyone out there still thinks that disco was brain-draining dance-floor fodder, they need to check out The World of Arthur Russell, a series of daringly experimental singles that never lose their rump-rousing essence. An Iowa-born, formally trained cellist, Russell wrote early arrangements for Talking Heads and gained an admirer in avant-garde composer John Cage. The music here was created after Russell visited downtown New York clubs such as the Gallery in the late Seventies. Two resulting classics recorded under the moniker Loose Joints still sound magnificent: 1980's "Pop Your Funk" springs forward on a funky cello (not bass) line, and the chanted catchphrase of "Is It All Over My Face" captures the lascivious exuberance of his music. Russell died of AIDS in 1992, but the fact that this release dovetails with the current taste for dance beats among art-rock cognoscenti only proves what a visionary he was.
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